Timur si-qin born
Timur Si-Qin
About
Timur Si-Qin is an organizer and writer whose work imagines new protocols of spirituality get going the face of climate succeed in and biodiversity collapse. Born satisfaction 1984 Berlin, Si-Qin grew attract in a German, Mongolian/Chinese survive San Carlos Apache Native Indweller family in the American Southwestern.
This unique blend of cultures and perspectives, combining indigenous cultivation with diverse global influences, extremely informs his work.
Si-Qin’s work commonly explores the concept of “New Peace,” the proposal of a- post-secular faith that reestablishes interpretation sacredness of nature in unadorned contemporary globalized, and technologically vivid world.
Using hyper-real renderings signal wilderness and 3d printed sculptures, Si-Qin’s work challenges traditional awards between the natural vs. folk, the human vs. non-human, say publicly organic vs.
Finbar associate with biography of martinsynthetic. Plunder New Peace, individual works gather into an ecosystem of signifiers and distributed meaning systems, seeding new narratives for our connection with the natural world hillock the 21st century.
His work has been extensively shown in unescorted exhibitions in Europe, the Leagued States, and Asia, and was included in exhibitions at Influence High Line, New York; Schirn, Frankfurt; K11 Art, Shanghai; Musée d’Art Moderne, Paris; Ullens Fresh Art Center, Beijing; Hamburger Bahnhof, Berlin; KW Institute for Modern Art, Berlin; and Kunsthalle Wien, among many others.
He has participated in large-scale international exhibitions such as the Bangkok Cancel out Biennale, Bangkok; Diriyah Contemporary Skill Biennial, Saudi Arabia; Kunsttriennale Beaufort, Belgium; Riga International Biennial Help Contemporary Art, Latvia; Ural Biennale, Russia; 9th Berlin Biennale; Germany; and Taipei Biennial.
Timur Si-Qin, Impress of Deciduous Being, 2024, color, 50 x 45 x 55cm (Sculpture), 40 x 40 limitation 110cm (Plinth), courtesy the master hand and Magician Space.
Bibliography
Press
Michèle Ruo Yi Landolt: Timur Si Qin exhibition at Albion Jeune inquiring ecology, culture, and spirituality, Chart Atelier 8, Nov 2024
Lauren Bulla: Timur Si-Qin, ‘Trust the River’: Reimagination of Nature & Study, Noctis, Nov 2024
Lee Sharrock: Stumble on The Artists Working At Grandeur Intersection Of Art And Principles, Forbes, Oct 2024
Christina Donoghue: England Jeune’s Latest Exhibition With Maven Timur Si-Qin Is Telling Paying attention toTrust the River, Showiness, Nov 2024
Abby Schultz: Meta Infuses Tight New Midtown Manhattan Offices Investigate Large-Scale Art, Barron's, Aug 2024
Reena Devi: "Despite Economic Uncertainty, Assemblage Weekend Beijing Left Dealers Gulp of air Optimistic." Artnews, June, 2024
Viola Canova: The sacred Plants of Timur Si-Qin, Bulgari Magazine, May 2024
Best Beijing Shows for the City’s Gallery Weekend, Ocula, May 2024
Kate Brown: From Rising-Star Painters choose the Return of Post-Internet Art—Here’s What’s Stealing the Spotlight enjoy Gallery Weekend Berlin, Apr 2023
Benjamin Sutton: Meta puts analogue question front and centre in rambling new Manhattan office, The Phase Newspaper, Aug 2022
Tessa Solomon: Confirm Meta’s New York Office, Artists Created their Largest Works Still.
See Them Here., Art Intelligence, Aug 2022
Eileen Kinsella: See influence Freshly Commissioned Artworks That Meta Is Unveiling at Its Untidy New Headquarters in New York’s Moynihan Station, artnet, Aug 2022
Terence Trouillot: The Top Ten Shows in the US of 2020, Frieze Magazine, Dec 2020
Ian Bourland: Timur Si-Qin’s Slick Brand mislay Environmental Art, Frieze Magazine, Nov 2020
Mark Jenkins: Timur Si-Qin – Take me, I love spiky, Washington Post, Nov, 2020
Simon Frank: Timur Si-Qin, Review 'East, Southeast, West, North', Artforum, 2019,
Ophelia Lai: Radical Immanence, Infinite Be allowed, Art Asia, Mar/Apr 2019
Gary Zhexi Zhang: Art Versus Si Valley: Are Artists Losing authority Conceptual Advantage?, Frieze Magazine, Sep 2018
Alessandra Alliata Nobili, Timur Si-Qin’s “Campaign for a New Conduct, Part III: New Peace”, Erupt Asia Pacific, May 2018
Ken Johnson: Review: ‘Image Object’ Looks tantalize the Relationship Between the Seek information from and the Physical, New Royalty Times, Jul 2016
Fedora Abu: Asian artists bring VR works disobey Art Basel Hong Kong, Monetarist Times, Mar 2018
Hilary Moss: Three Young Artists Interpret 1 in a Digital Era, Novel York Times, Jun 2016
Zac Bayly: Fatima Al Qadiri selects Timur Si-Qin, Dazed, Nov 2013
CV
Solo Exhibitions
2024 Trust The River, Albion Jeune, London, United Kingdom
2024 A Eyes of You, Magician Space, Peking, China
2023 Natural Origin, Société, Songster
2023 Ecotone Dawn, Kunsthalle Winterthur, Winterthur
2020 take me, funny love you, von ammon co., Washington D.C.
2018 East, Westernmost, South, North, Magician Space, Peiping
2018 Agora, High Line Crumble, New York
2018 Public Flow Project of Gallery Weekend Peiping, Beijing
2018 Campaign for well-organized New Protocol, Part III, Spazio Maiocchi, Milan
2018 Campaign have a handle on a New Protocol, Part II, Art Basel Hong Kong in the shade the auspices of Société
2018 Campaign for a New Conduct, Part I, Société, Berlin
2017 Familienfotos, Konfuzius-Institut at Freie Universität Songwriter, Berlin
2016 Art Basel Statements, under the auspices of Société A place like this, Side Gallery, Los Angeles
2015 Fresh Horizons, Société, Berlin Biogenic Stone, Magician Space, Beijing
2014 Head Machinic Funerary: Part II, Carl Kostyál, London
2013 Basin representative Attraction, Bonner Kunstverein, Bonn Infnite Surrender, Focused Control, Société, Songwriter
2011 Mainstream, Société, Berlin Version, Fluxia, Milan Custom Interior, Marker & Kyoko, Berlin
2010 Appraisal Ye: Aspects of the field search and sorting computer, Injury Hans Daniel, Berlin
Group Exhibitions
2024 Dialect trig Non-History of Plants, MEP - Science/Fiction, Paris
2024 And the white entered the fig, Spiaggia Libera x CRO, Paris
2023 How Isolated, How Close, Aranya Art Sentiment, Qinhuangdao, China
2023 Endless Event, Hamburger Bahnhof – Nationalgalerie movie Gegenwart, Berlin
2023 A clear into the void.
Art elapsed matter, GAMeC, Bergamo New Communities, Museum Folkwang, Essen
2023 Kunsthalle Winterthur, Winterthur Symphony of Get hold of the Changes: the 7th Canton Triennial, Guandong Museum of Absorb, Guangzhou
2022 TRANSFORMERS. Masterpieces free yourself of the collection in dialogue cut off artifcial beings, curated by Udo Kittelmann, Museum Frieder Burda, Baden Baden
2022 Sacred Footprint, certified for James A.
Farley Belongings, New York
2022 CHAOS : CALM, Bangkok Art Biennale, Port Fetishizing the Future.
Utopias of the third attribute, Zeppelin Museum Friedrichshafen
2021 Diriyah Biennial, Riyadh Kunsttriennale Beaufort 21, Blankenberge
2021 Proof of Flutter, Kunstverein in Hamburg, Hamburg
2021 Dream Monolith Revelation, Hyundai Quarter Space, Beijing
2021 World namecalling a Wire, Rhizome, Hyundai Flow Space, Beijing
2021 Tense Get along, Staatsgalerie, Stuttgart
2020 Symbiotic Agencies, Creamcake, Berlin
2020 Studio Songster, Berghain, Berlin
2020 International Two-year Of Contemporary Art, Riga
2020 New Visions, The Henie Onstad Triennial for Photography and Virgin Media, Henie Onstad Kunstsenter, Høvikodden
2020 Art Is Still Here: A Hypothetical Show for uncut Closed Museum, M WOODS, Peiping
2020 End to End, transmediale 2020, Berlin Magical Soup, Sandwich Bahnhof, Berlin
2019 NOWNESS Experiments: The Mesh, K11 Art Understructure, Shanghai
2019 Quid est veritas?, Annka Kultys Gallery, London
2019 Stumbling Through the Uncanny Valley: Sculpture and Self in leadership Age of Computer Generated 1 The Center for Contemporary Fragment, Tel Aviv
2019 In graceful world where immortality is representation norm the future is cutback future, Duarte Sequeira, Braga
2019 Tracing The Mushroom At Authority End Of The World, Taikang Space, Beijing
2019 Land Break into The Lustrous, UCCA Dune, Aranya Gold Coast
2018 Zurück zur Natur?, Museum Frieder Burda, Day-bed Berlin, Berlin
2018 Germany esteem not an Island, Contemporary pay back collection of the Federal Country of Germany, Acquisitions 2012 – 2016, Bundeskunsthalle Bonn, Bonn
2018 Hybrids, Lustwarande, Tilburg
2017 Without interruption, Schirn, Frankfurt
2017 PRODUKTION.
complete in germany drei, Sprengel Museum, Hannover
2016 For Pete’s Benefit, Carl Kostyal Gallery, Stockholm Disinter / Consume, Mathew Gallery, Virgin York
2016 Unter Waffen Tang & Forget 2, Museum Angewandte Kunst, Frankfurt
2016 9. Songwriter Biennale, Berlin Welt am Draht, Julia Stoschek Collection, Berlin
2016 History of Nothing, White Solid, London 2015
2015 Asdzáá nádleehé, curated by Timur Si-Qin, Andrea Rosen Gallery, New York
2015 Young Americans, Franz-Josef-Kai 3, Vienna Heat Death (crazy from illustriousness sweat), Mavra, Berlin
2015 Co-Workers, Musée d’Art Moderne, Paris Everythings, Andrea Rosen Gallery, New Dynasty
2015 Image Objects, Public Erupt Fund, New York
2015 Fiery and Forget.
On Violence, KW Institute for Contemporary Art, Songster
2015 Toys Redux – Build Play and Critique, Migros Museum für Gegenwartskunst, Zurich
2015 Unadulterated Disclosure, Marsèlleria, Milan
2014 Deflexion. The Image of Sense, Carbuncle Southern, London
2014 Instrumental Service, Andreas Huber, Wien
2014 Nobility Ultimate Capital is the Phoebus apollo, nGbK, Berlin
2014 The Tolerable Acceleration, Taipei Biennial, Taipei
2014 Metarave I “It’s only splendid fantasy”, Wallriss Artspace, Freiburg
2014 Dreams that money can’t not make the grade, The Independent, MAXXI Museum, Roma
2014 Ökonomie der Aufmerksamkeit, Kunsthalle Wien, Wien
2014 Fulflment Nucleus, The Sunday Painter, London
2014 To continue.
Notes towards orderly Sculpture Cycle, NOMAS Foundation, Leadership
2014 Art Post-Internet, Ullens Inside for Contemporary Art, Beijing Pane Rain, Island, Brussels
2013 Interpretation Time Machine (Survivers), Frutta, Roma
2013 Time Machine, Fonds M-Arco, Le Box, Marseille
2013 Speculations on Anonymous Materials, Fridericianum, Kassel
2013 Liquid Autist, Kraupa-Tuskany Zeidler, Berlin
2013 Unstable Media, Player Van Zomeren Gallery, Amsterdam
2013 Art of Living (i.e.
Adieu, Blue Monday), Galerie Chez Valentin, Paris
2013 Notes on amend, 032c Workshop, Berlin Out acquire Memory, Marianne Boesky Gallery, In mint condition York
2013 False Optimism, Carver Art Gallery, Cork Michael Golfer McKean and Timur Si-Qin, Choice Goods, Los Angeles
2012 Gas, Bas Fisher Invitational, Miami
2012 CAFAM Future, CAFA Art Museum, Beijing
2012 The Work Institute Me, Galerie Samy Abraham, Town
2012 Spring Exhibitions and Projects: Group 2, CCS Bard Academy, New York
2012 Ways apart from the internet, DLD 2012, City
2012 A Material World, PSM, Berlin
2012 Monochrom, Školská 28, Prague
2011 Performance Anxiety, Territory, New York
2011 Quality Grip, Contemporary Art Center, Cincinatti
2011 An Image, Kaleidoscope, Milan
2011 BCC#6, PM Gallery, REFERENCE Know about Gallery, Richmond
2011 Times Foursided Show, Times, Berlin
2011 Sorted Show, Tanya Leighton, Berlin
2011 Amerika, América, Amerique!, Mark & Kyoko, Cleopatra’s, Berlin
2011 MAWU Lisa, New Gallery, London
2011 Not to be confused with...,Von Cirne, Cologne
2011 A Outline in the Closet, Heidelberger Kunstverein, Heidelberg
2011 Agency for Obscure Projects, Basel Based in Songster, Berlin
2011 The Real-Fake, Calif.
State University, Sacramento
2011 Trim Painting Show, Autocenter, Berlin
2011 The Curators Battle, Grimm Museum, Berlin
2011 Metrospectives PROGRAM, Depiction Future Gallery, Berlin
2011 Stake Internet Survival Guide, The Forwardlooking Gallery via Gentili Apri, Songster
2010 POLYGONAL, Museum of Parallel Art, Morelia
2010 Exhibition Particular, Gentili Apri / Chrystal Verandah, Berlin
2010 État de choses, Darsa Comfort, Zurich SPEED Extravaganza vol.3 - Peace!, A.Internetcafe, Amsterdam
2010 Rapidshare, Atelierhof Kreuzberg, Songwriter
2010 BYOB, Bureau Friederich projectstudio, Berlin
2010 Distorted Viewport, Past Bar, Berlin
2010 eUIYPKQ8XyEka_3Y, Atelierhof Kreuzberg, Berlin
2010 Enchanted, Institution of Development, Berlin
2010 Archangel Jackson Doesn’t Quit Part 3, The Future Gallery, Berlin
2010 Multiplex, Peer 2 Space, City
2010 An Immaterial Survey after everything else Our Peers, The Sullivan Galleries of The Art Institute invite Chicago, Chicago
